Best Lenses for Wedding Videographers Using Sony in 2025

If you're shooting weddings on a Sony camera, the right lenses can make all the difference. Whether you're after dreamy bokeh, sharp details, or low-light performance, Sony’s E-mount system has some incredible options. My main Bodies are Sony FX3 and Sony A7IV, but these work great with all different Sony bodies. Over the years, I’ve tested a bunch of lenses, and these are the ones I keep coming back to. If you're looking to step up your wedding videography game, here are some of my favorite lenses and why they work so well in fast-paced, unpredictable wedding environments.

1. Sony 35mm f/1.4 GM – The Storyteller

The Sony 35mm f/1.4 GM is hands down my favorite lens for small weddings and elopements. It feels natural and immersive, making it great for prep shots, first looks, and reception details. If I had to shoot an entire wedding on just one focal length, it would be 35mm. The f/1.4 aperture handles low-light scenes beautifully, and it’s lightweight enough for fast-paced shooting. It also works seamlessly on a gimbal, making it a perfect all-around lens.

Why I love it:

• Ideal for documentary-style shooting

• Great for storytelling and establishing shots

• Super sharp with a creamy background blur

2. Sony 24-70mm f/2.8 GM II – The Versatile Workhorse

For bigger weddings or unpredictable shooting conditions, the Sony 24-70mm f/2.8 GM II is my go-to. It covers everything from wide shots to mid-range portraits, making it ideal for ceremonies, receptions, and fast-moving moments. The latest version is lighter and sharper than the original, making it even better for long wedding days. It’s a bit heavier on a gimbal, but I balance it at the midpoint between 24mm and 70mm for smooth operation throughout the day.

Why I love it:

• Covers multiple focal lengths in one lens

• Fast f/2.8 aperture for various lighting conditions

• Lightweight enough for handheld and gimbal work

3. Sony 50mm f/1.2 GM – The Ultimate Portrait Lens

The Sony 50mm f/1.2 GM is a powerhouse for capturing emotional close-ups. The f/1.2 aperture makes it perfect for low-light situations, like dimly lit receptions or golden hour portraits. Plus, the bokeh is buttery smooth, making intimate moments look straight out of a film.

Why I love it:

• Outstanding low-light performance

• Dreamy, cinematic bokeh

• Fast and reliable autofocus

4. Sigma 24mm f/1.4 DG DN Art – Wide and Cinematic

If you’re looking for a wide prime lens with a cinematic feel, the Sigma 24mm f/1.4 DG DN Art is a fantastic choice. It’s perfect for capturing the energy of the day while keeping a natural perspective. It’s also a solid, more affordable alternative to Sony’s wide primes, making it a great addition to any kit.

Why I love it:

• Fast f/1.4 aperture for low-light filming

• Minimal distortion for a natural wide look

• Lightweight and easy to use on a gimbal

5. Zeiss Batis 25mm f/2 – The Dance Floor Favorite

The Zeiss Batis 25mm f/2 is my go-to for late-night wedding shots and dance floor energy. It’s wide enough to capture the movement and atmosphere without distortion, and the f/2 aperture keeps things bright even in dimly lit receptions. The autofocus is fast and accurate, making it a reliable option for capturing lively moments without missing a beat.

Why I love it:

• Perfect for capturing movement and high-energy moments

• Wide without excessive distortion

• Lightweight and ideal for handheld shooting and gimbal work

Final Thoughts

There’s no one-size-fits-all lens for wedding videography, but having a mix of primes and zooms will keep you prepared for anything. The Sony 35mm f/1.4 GM is my top choice for small weddings and elopements, while the 24-70mm f/2.8 GM II is a must for larger events. The Sony 50mm f/1.2 GM adds cinematic magic, and wide-angle options like the Sigma 24mm f/1.4 DG DN Art and Zeiss Batis 25mm f/2 round out a versatile kit.

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